A Room Surrounded By Philosophers From History - 1985 Words

As I stand in a room surrounded by philosophers from history, I am in awe in the presence of the greatest teachers ever known to mankind. I feel intimidated and unworthy to be interviewing men of such legendary status. I suppose it was written all over my face and that is what captures the attention of Socrates. He walks across the room and he asks â€Å" What is this troubled look upon your face? It speaks to me from across the room?† â€Å" Oh, I’m o.k. Socrates, just feeling a little out of place being around all these great minds with so much wisdom, I have so much to learn from all of you, I just don’t feel as though I have learned enough.† â€Å" Good heavens Barbara, surely we are all just men, pupils of the world, such as you are, who in fact could consider themselves advanced enough to be a teacher as we are all just merely pupils in this life.† â€Å" Thank you Socrates, you know, I wanted to ask you something, we here in the modern day study your teachings and are amazed at your insight, but do you, think of yourself as wise?† â€Å"Well, I must ask you this, what is wisdom? Is wisdom the knowledge that one has gained from books or is wisdom the understanding that one will never be wise? I seek knowledge and wisdom, but I am not wise. Wisdom is something that is sought to be obtained but yet unobtainable. True wisdom comes from within, the act of seeking knowledge will make one be considered wise, for in the act is the admission that you are in fact unwise. For ifShow MoreRelatedThe Renaissance Italian City Of Italy976 Words   |  4 Pagesin central Italy. Urbino was said to be one of the cultural centers of Italy, a place where artists went to be successful. His father, Giovanni, was a painter and poet for the local Duke. As at a young age, Raphael started leaning basics of painting from his father. His father died when he was 11 years old. Even after the death of his father, Raphael never gave up on art. Working out of his father’s workshop, he improved his artistic skills. He was said to be the most talented artist in his town asRead MoreAnalysis Of Machiavelli s The Prince 1370 Words   |  6 Pagesrelationship with mankind that has fueled debates throughout the history of man. Niccolo Machiavelli and Immanuel Kant are political philosophers who have grappled with these very relationships. Machiavelli wrote The Prince over three centuries before the process of Italian unification had begun. The Italian Peninsula was fragmented and could not stand on its own especially compared to the unified powers like Spain and France. It is from this weak position that the Republic of Florence falls costingRead MoreStructure of Matter1686 Words   |  7 Pagesï » ¿The Structure of Matter There is a large overlap of the world of static electricity and the everyday world that you experience. Clothes tumble in the dryer and cling together. You walk across the carpeting to exit a room and receive a door knob shock. You pull a wool sweater off at the end of the day and see sparks of electricity. During the dryness of winter, you step out of your car and receive a car door shock as you try to close the door. Sparks of electricity are seen as you pull a wool blanketRead MoreThe Death Of The Golden Age Of Pericles Athens Essay1604 Words   |  7 Pagesfor what they morally felt was right and they did not back down from those beliefs, even if several people were trying to tear them down. A lot of of us stand up for what we believe in and we do not get told by thousands of people we are wrong unless it is posted on a social media site at this time and age. There have been countless people who tried to bring down several of the most recognizable, honorable individuals in our history, such as Rosa Parks, but she did not let anyone stop her. AnotherRead MoreBeing Gay, By Indian Immigrants1529 Words   |  7 PagesBeing gay in America is difficult. Being gay in America is even more difficult when you’re not quite gay. Being a closeted not-quite gay woman in America, surrounded by Indian immigrants is pretty difficult, too. It’s a bit like staring in a James Bond film, if all of the characters suddenly developed Bollywood accents, and marginally less homicide. Also, I may be exaggerating, because I don’t attract nearly as many Bond Girls, no matter how much I’d like to. Even understanding what â€Å"not-quite gay†Read MoreThe Fiction Film District 9 And The Novel Dawn1244 Words   |  5 Pagessense of learning and rejection from both species. The science-fiction film and literature have not changed as many still reveal humanization with alienation in relation to our society. The artist of the science-fiction history has brought historic stories that relate to real life experiences that will hope to reflect a positive social structure. In the works of communication, slavery stands as an option for both humans and aliens. In this paper I will examine from the science-fiction film DistrictRead MoreStream of Consciousness Novel1102 Words   |  5 PagesFiction (with Special Reference to the Contributions of James Joyce and Virginia Woolf) Arpan Adhikary The term ‘stream of consciousness’ as applied in literary criticism to designate a particular mode of prose narrative was first coined by philosopher William James in his book Principles of Psychology (1890) to describe the uninterrupted flow of perceptions, memories and thoughts in active human psyche. As a literary term, however, it denotes a certain narrative technique used in novels in whichRead MoreHistorical Bias Of The Persian Wars1332 Words   |  6 Pages(city-states philosophers) from 492 bc to 449bc. The history is told in great part by Herodotus, a Greek historian, considered to write historical bias in regards to Greek Persian history. Herodotus was said to investigate the Persian war, going through different lands and collecting personal inquiries, myths, legends and accounts of the Persian Wars. He was praised and honored for his recollection of the events, which were both factual and fictional. Herodotus wanted to pass down a history of whyRead MoreS ystem And Oppression Of The Panopticon1631 Words   |  7 PagesPanoptical System and Oppression The Panopticon was a metaphor that allowed Foucault to show the relationship between the people in a disciplinary situation and the systems of social control. From his view, the concept of power/knowledge comes from observing others. Michel Foucault is one of the European philosopher/historian who wrote prodigiously and influentially on the origins or ‘archaeology’ of European social orders since the seventeenth century. For understanding of his work on social controlRead MoreThe School of Athens2478 Words   |  10 Pagesliving things; the flesh palpitates, the breath comes and goes, every organ lives, life pulsates everywhere. -- Vasari Raphael was born Raffaello Santi or Raffaello Sanzio in Urbino on April 6, 1483, and received his early training in art from his father, the painter Giovanni Santi. In 1499 he went to Perugia, in Umbria, and became a student and assistant of the painter Perugino. Raphael imitated his master closely; their paintings of this period are executed in styles so similar that art

Baroque, Rococo, and Neoclassicism Comparison and...

Rococo was an art style that originated in France in the mid-17th century. Rococo itself evolved from the earlier Baroque period, and shared several elements with it. Indeed, Rococo is often referred to as Late Baroque for this reason. Both placed a heavy emphasis on ornate, highly sculpted detail and ornamentation, especially in regards to architecture and sculpture. Likewise both featured artwork rooted in more realistic depictions of people. However, they were also different in several important ways, and reflected changing social attitudes. Where Baroque was rooted in religion and promoted by the Catholic Church as a response to the Protestant Reformation, Rococo flourished during the â€Å"Age of Enlightenment†, a time where†¦show more content†¦Artwork returned to classic moral and ethical themes like heroism, honor, and military duty, and was articulated strongly, with many artworks depicting realistic characters in bold color against dark backgrounds. When considering the differences between the Rococo and Neoclassic styles, it is striking how completely different they are from each other. In the area of architecture, it is easy to see how they diverge when looking at examples of the styles. The Ottobeuren Abbey in Bavaria, Germany is a true embodiment of Rococo with its countless gilded, vapor-like coils of plaster and stone, bright, playful colors, and heavily sculpted dà ©cor. The United States Supreme Court, a familiar study in Neoclassic architecture, is the polar opposite. Someone viewing its stately, symmetrical shape, understated coloration with an emphasis on natural materials like marble, and towering, stately pillars may wonder if it came from the same planet as the abbey in Germany. Artwork, too, was just as divergent. Consider the Rococo masterpiece The Swing, by artist Jean-Honorà © Fragonard. The delicate coiling of the tree branches, the ruffling of the fabric and lace on the subject’s dress, and the play of light and shadow in this painting of a woman on a swing in the forest are all visual hallmarks of the Rococo style. Again, contrast with a Neoclassic masterpiece Oath of the Horatii by Jacques-Louis David. This work, which showsShow MoreRelatedThe Ecstasy Of Sculpture : A Comparison Of Art2008 Words   |  9 PagesThe Ecstasy of Sculpture: A Comparison of Sculpture in Italian Baroque Art Focus Question: To what extent was the Italian Baroque art, specifically Bernini, a support for the Catholic-Counter Reformation compared to The Neoclassical era, not even a century later? A comparison of Bernini’s â€Å"The Throne of Saint Peter† and â€Å"Ecstasy of Saint Teresa†; and Antonio Canova’s â€Å"Amor and Psyche†. Michael Thiessen IBN: 000874-0212 Friday, March 20, 2015 Word Count: 2000 IB Art History─Period 5 Jamie

The Return Nightfall Chapter 24 Free Essays

string(119) " might ask for a retake, then changed his mind, smiled brilliantly at them, and tucked the video camera into a pocket\." No peck on the lips was going to satisfy Damon, Elena thought. On the other hand, Matt was going to need outright seduction before he would give in. Fortunately Elena had broken the Matt Honeycutt code long ago. We will write a custom essay sample on The Return: Nightfall Chapter 24 or any similar topic only for you Order Now And she planned to be remorseless in using what she had learned on his weakened, susceptible body. But Matt could be far too stubborn for his own good. He allowed Elena to put her soft lips against his, he allowed her to put her arms around him. But when Elena tried to do some of the things he liked most – like running her nails down his spine, or touching her tongue tip lightly to his closed lips – he clamped his teeth shut. He wouldn’t put an arm around her. Elena let go of him and sighed. Then she felt a crawling sensation between her shoulder blades, as if she were being watched but a hundred times stronger. She glanced back to see Damon standing at a distance with his Virginia pine rod, but she couldn’t find anything unusual. She glanced back once more – and had to cram a fist into her mouth. Damon wasthere ; right behind her; so close that you couldn’t have gotten two fingers between the front of her body and the front of his. She didn’t know why her arm hadn’t hit him. Her whirl actually trapped her in between two male bodies. But how had he done it? There had been no time to travel the distance of the clearing from where Damon had been standing to one inch behind her in the second that she had glanced away. Nor had there been any sound as he’d walked across the pine needles toward them; like the Ferrari, he was just – there. Elena swallowed the scream that was desperately trying to get out of her lungs, and tried to breathe. Her own body was rigid with fear. Matt was trembling slightly behind her. Damon was leaning in, and all she could smell was the sweetness of pine resin. Something’s wrong with him. Something’s wrong. â€Å"You know what,† Damon said, leaning forward even farther so that she had to lean backward against Matt, so that, even spooned against Matt’s shaking body, she was looking straight into the Ray-Bans from a distance of three inches. â€Å"That gets you a grade of a D minus.† Now Elena was shaking as well as Matt. But she had to get a grip on herself, had to meet this aggression head-on. The more passive she and Matt were, the more time Damon had to think. Elena’s mind was in feverish scheming mode. He may not be reading our minds, she thought, but he can certainly tell if we’re telling the truth or lying. That’s normal for a vampire who drinks human blood. What can we make of that? What can we do with it? â€Å"That was a greeting kiss,† she said boldly. â€Å"It’s to identify the person that you’re meeting, so you’ll always know them afterwards. Even – even prairie hamsters do it. Now – please – could we move just a little, Damon? I’m getting crushed.† And this is just much too provocative a position, she thought. For everybody involved. â€Å"One more chance,† Damon said, and this time he didn’t smile. â€Å"I want to see a kiss – a real kiss – between you. Or else.† Elena twisted in the tight space. Her eyes searched Matt’s. They had, after all, been boyfriend and girlfriend for quite a while last year. Elena saw the look in Matt’s blue eyes: hewanted to kiss her, as much as he could want anything after that pain. And he realized that she’d had to go through all that fancy footwork to save him from Damon. Somehow, we’ll get out, Elena thought to him. Now, will you cooperate? Some boys didn’t have buttons in the selfish sensations area of their brain. Some, like Matt, had buttons labeledHONOR or GUILT . Now Matt held still as she took his face between her hands, tilting it down and going up on her toes to kiss him, because he’d grown so much. She thought of their first real kiss, in his car on the way home from a minor school dance. He’d been terrified, his hands damp, his whole interior quaking. She’d been cool, experienced, gentle. And so she was now, drawing a warm tongue tip to melt his frozen lips apart. And just in case Damon was eavesdropping on her thoughts, she kept them strictly on Matt, on his sunshiny looks and his warm friendship and on the gallantry and courtesy that he had always shown to her, even when she broke up with him. She wasn’t aware when his arms went around her shoulders or when he took control of the kiss, like a person dying of thirst who’s finally found water. She could see it clearly in his mind: he’d never thought he’d kiss Elena Gilbert like this again. Elena didn’t know how long it lasted. Finally she unwound her arms from around Matt’s neck and stepped back. And then she realized something. It was no accident that Damon had sounded like a film director. He was holding up a palm-sized video camera, staring into the viewfinder. He’d captured the whole thing. With Elena clearly visible. She had no idea what had happened to the disguising baseball cap and dark glasses. Her hair was disordered and her breathing came quickly, involuntarily. The blood had risen to the surface of her skin. Matt didn’t look much more together than she felt. Damon looked up from the viewfinder. â€Å"What do you want that for?† Matt growled in tones completely unlike his normal voice. The kiss had affected him, too, Elena thought. More so than her. Damon picked up his branch again and again waved the end of it like a Japanese fan. Pine aroma wafted by Elena. He looked considering, as though he might ask for a retake, then changed his mind, smiled brilliantly at them, and tucked the video camera into a pocket. You read "The Return: Nightfall Chapter 24" in category "Essay examples" â€Å"All you need to know is that it was a perfect take.† â€Å"Then we’re leaving.† The kiss seemed to have given Matt new strength, even if it was for saying the wrong type of things. â€Å"Right now.† â€Å"Oh, no, but keep that dominant, aggressive attitude. As you remove her shirt.† â€Å"What?† Damon repeated the words in the tones of a director giving an actor complicated instructions. â€Å"Undo the buttons of her shirt, please, and take it off.† â€Å"You’recrazy .† Matt turned and looked at Elena, stopped aghast to see the expression on her face, the single tear running down the eye not hidden. â€Å"Elena†¦Ã¢â‚¬  He moved around, but she moved too. He couldn’t get her to look him in the face. At last, she stopped, stood with her eyes down and leaking tears. He couldfeel the heat radiating from her cheeks. â€Å"Elena, let’s fight him. Don’t you remember how you fought the bad things in Stefan’s room?† â€Å"But this is worse, Matt. I’ve never felt anything this bad before. This strong. It’s – pressing on me.† â€Å"You don’t mean we should give in to him†¦?†That was what Mattsaid and he sounded as if he were on the verge of being ill. What his clear blue eyes said was simpler. They said:No. Not if he kills me for refusing. â€Å"I mean†¦Ã¢â‚¬  Elena turned suddenly back to Damon. â€Å"Let him go,† she said. â€Å"This is between you and me. Let’s settle it ourselves.† She was damned well going to save Matt, even if he didn’t want to be saved. I’ll do what you want,she thought as hard as she could to Damon, hoping he would pick some of it up. After all, he’d bled her against her will – at least initially – before. She could live through him doing it again. â€Å"Yes, you’ll doeverything I want,† Damon said, proving that he could read her thoughts even more clearly than she’d imagined. â€Å"But the question is, after how much?† He didn’t say how much what. He didn’t have to. â€Å"Now, I know I just gave you an order,† he added, half turning toward Matt but with his eyes still on Elena, â€Å"because I can still see you picturing it in your mind. But – â€Å" Elena saw the look in Matt’s eyes then, and the flaming of his cheeks, and she knew – and immediately tried to hide the knowledge from Damon – what he was going to do. He was going to commit suicide. â€Å"If we can’t talk you out of it, we can’t talk you out of it,† Meredith said to Mrs. Flowers. â€Å"But – there are things out there – â€Å" â€Å"Yes, dear, I know. And the sun is going down. It’s a bad time to be outside. But as my mother always said, two witches are better than one.† She gave Bonnie an absent smile. â€Å"And as you very kindly did not say before, I am very old. Why, I can remember the days before the first motorcars and airplanes. I might have knowledge that would help you in your quest for your friends – and on the other hand, I am dispensable.† â€Å"You certainly are not,† Bonnie said fervently. They were using up Elena’s wardrobe now, piling on the clothes. Meredith had picked up the duffel bag with Stefan’s clothes in it and dumped it on his bed, but the first time she picked up a shirt, she dropped it again. â€Å"Bonnie, you might take something of Stefan’s with you as we go,† she said. â€Å"See if you get any impressions from it. Um, maybe you too, Mrs. Flowers?† she added. Bonnie understood. It was one thing to let somebody call themselves a witch; it was another thing to call someone very much your senior one. The last layer of Bonnie’s wardrobe was one of Stefan’s shirts, and Mrs. Flowers tucked one of his socks in her pocket. â€Å"But I won’t go out the front door,† Bonnie said adamantly. She couldn’t even bear to imagine the mess. â€Å"All right, so we go out the back,† Meredith said, flipping Stefan’s lamp off. â€Å"Come on.† They were actually walking out the back door when the front doorbell rang. They all three exchanged glances. Then Meredith wheeled, â€Å"It could be them!† And she hastened back to the dim front of the house. Bonnie and Mrs. Flowers followed more slowly. Bonnie shut her eyes as she heard the door open. When there were no immediate exclamations about the mess, she opened them a slit. There was no sign that anything unusual had happened outside the door. No smashed insect bodies – no dead or dying bugs on the front porch. Hairs on the back of Bonnie’s neck rose. Not that she wanted to see the malach. But she did want to know what had happened to them. Automatically, one hand went to her hair, to feel if a tendril had been left behind. Nothing. â€Å"I’m looking for Matthew Honeycutt.† The voice cut into Bonnie’s reverie like a hot knife through butter, and Bonnie’s eyes snapped all the way open. Yes, it was Sheriff Rich Mooseburger and he was all there, from shiny boots to crisp collar. Bonnie opened her mouth, but Meredith spoke first. â€Å"This is not Matt’s house,† she said, her tone quiet, her voice even. â€Å"In fact I have already been to the Honeycutt house. And to the Sulez house and the McCulloughs’. Every one of them, in fact, suggested that if Matt weren’t at one of those places, he might be out here with you.† Bonnie wanted to kick him in the shins. â€Å"Matt hasn’t been stealing stop signs! He would never, ever,ever do something like that. And I wish to God I knew where he was, but I don’t. None of us do!† She stopped, with the feeling that she might have said too much. â€Å"And your names are?† Mrs. Flowers took over. â€Å"This is Bonnie McCullough, and Meredith Sulez. I am Mrs. Flowers, the owner of this boardinghouse, and I believe I can second Bonnie’s remarks about the stop signs – â€Å" â€Å"In fact this is more serious than missing road signs, ma’am. Matthew Honeycutt is under suspicion of assaulting a young woman. There is considerable physical evidence to support her story. And she claims that they have known each other since childhood, so there can be no mistake as to identity.† There was a moment of stunned silence, and then Bonnie almost shouted, â€Å"She? Shewho ?† â€Å"Miss Caroline Forbes is the complainant. And I would in fact suggest, if any of the three of you should happen to see Mr. Honeycutt, that you advise him to turn himself in. Before he is taken by force into custody.† He took a step toward them as if threatening to come through the door, but Mrs. Flowers silently barred the way. â€Å"In fact,† Meredith said, regaining her composure, â€Å"I’m sure you realize that you need a warrant to enter these premises. Do you have one?† Sheriff Mossberg didn’t answer. He made a sharp little right turn, walked down the pathway to his sheriff’s car, and disappeared. How to cite The Return: Nightfall Chapter 24, Essay examples